Titolo | The Chase |
Agenzia | adam&eveDDB |
Campagna | The Chase |
Cliente | Camelot Group |
Marca | The National Lottery |
Data di Prima Diffusione/Publicazione | 2022 / 6 |
Settore | Intrattenimento vario |
Tipo di Media | Interattivo |
Lunghezza | |
Audio Post Production | 750mph |
Group Executive Creative Director | Ben Tollett |
Creative Director | Mark Lewis |
Creative Director | Matt Fitch |
Social Creative | Matthew Osbourne |
Social Creative | Judith Tulkens |
Producer | Mary Fostiropoulos |
Producer | Clio McLeary |
Producer | Panos Louca |
Assistant Producer | Giulia Mereu |
Casa di Produzione | Arts & Sciences |
Directors | THE BOBBSEY TWINS FROM HOMICIDE |
DP | Alex Barber |
Producer | Emma Butterworth |
Partner/Executive Producer | James Bland |
Production Manager | Julia Guignabel |
Production Designer | Chris Oddy |
Costume | Lucy Hagan |
B-unit Director | Frank Atlantic |
B-unit Producer | Lauren Highman |
Hero casting | Ali Fearnley |
Editing Company | Stitch |
Editor | Leo King |
Editor | Max Windows |
Post Produzione | Black Kite Studios |
Shoot Supervisor | Tito Fernandes |
VFX Supervisor | Paul Wilmot |
CG Lead | James Hansell |
Colorist | George Kyriacou |
B-unit Flame Lead | Mark Stannard |
Post-production Producer | Phil Whalley |
Sound Engineer | Sam Ashwell |
Sound Engineer | Jake Ashwell |
Audio Producer | Martin Critchley |
Audio Producer | Olivia Ray |
Music | Theodore music |
Music Supervision | Tom Stanford |