Titolo | The Button |
Agenzia | adam&eveDDB |
Campagna | Volkswagen |
Cliente | Volkswagen |
Marca | Volkswagen |
Data di Prima Diffusione/Publicazione | 2017 / 7 |
Settore | Automobili/Motoveicoli |
Trama | Have you ever noticed that whenever movie villains want to do a dastardly deed, they often press a button? Here we see bad guys in various genres – sci-fi, spy thriller, jungle adventure – pushing buttons to send heroes to their doom. Cut to the driver of the Golf GTE, who pushes a button to combine petrol and electric engines. He’s using his button for good. But he gives a villainous chuckle, just for the form. |
Tipo di Media | Web Film |
Lunghezza | |
Chief Creative Officer | Ben Priest |
Executive Creative Director | Ben Tollett |
Executive Creative Director | Richard Brim |
Art Director | Rick Gayton |
Copywriter | Darren Beresford |
Production Company Producer | Panos Louca |
Production Company Producer | Louise Gagen |
Executive Producer | Alex Fitzgerald |
Direttore della fotografia | Stephen Keith |
Business Director | Mike Stern |
Account Director | Matthew Harris |
Account Planner | Alistair Owen |
Media Agency | PHD |
Media Planner | Michael Bensley |
Post Produzione | The Mill |
2D Lead | Greg Spencer |
Colorist | James Bamford |
Line Producer | Imogen Pai |
2D Artist | Leandro Vazquez |
2D Artist | Ellie Risdon |
2D Artist | George Cressey |
2D Artist | Olivia O |
AFX | Gabriel Thomas Ayache |
CG Artist | Cameron Johnson |
CG Artist | Hugo Jackson |
CG Artist | Aurelien Ronceray |
Sound Design Company | Factory |
Sound Design Company | Anthony Moore |
Sound Design Company | Dan Beckwith |
Editing Company | The Play Room |
Editor | Adam Spivey |
Editing Producer | Lisa Trnovski |
Music Supervision | Leland |
Exposure | UK TV |