Production Assistant
at
Heyd & Seek
| Titolo | 30,000 is the Loneliest Number |
| Agenzia | T&Pm |
| Campagna | 30,000 is the loneliest number |
| Cliente | Until The Last Child |
| Marca | Until The Last Child |
| Data di Prima Diffusione/Publicazione | 2017 / 2 |
| Settore | Enti/Istituzioni/Organizzazioni no-profit |
| Tipo di Media | Interattivo |
| Lunghezza | |
| Art Director | Jennifer Saunders |
| Copywriter | Nabil Rachid |
| Account Manager | Lindsay Di Tolla |
| Agency Producer | Kasia Zeniuk |
| Casa di Produzione | Heyd & Seek |
| Executive Producer | Kegan Sant |
| Executive Producer | Cynthia Heyd |
| Production Company Producer | Ben Robinson |
| Production Company Producer | Vinny Gill |
| Editor | Jesse Blight |
| Camera Assistant | Alex Dematto |
| Casting | Stephen Milo |
| Talent | Liana |
| Movi Op / Drone Op | Yuri Tereshyn |
| Gaffer | Todd Hamacher |
| Best Boy Electric | Adam Landuci |
| Grip | Mark Skinner |
| Best Boy Grip | Luke Saagi |
| DIT | Andrew Easson |
| Make-Up Artist | Dawn Grant |
| Production Assistant | Jonathan Kok |
| Production Assistant | Bradley John Chowace |
| Production Assistant | Dean Turner |
| Production Assistant | Bryan Beerbaum |
| Production Assistant | Shawn Robertson |
| Post Produzione | Redlab |
| Colorist | Jason Zukowski |
| Online Artist | Andy Hunter |
| Production Company Producer | Pallavi Joshi-Firby |
| Executive Producer | Laurie Kerr Jones |
| Audio | Pirate |
| Track Director | Vanya Drakul |
| Arrangement | Ari Posner |
| Mixer | Ian Boddy |
| Production Company Producer | Maggie Blouin Pearl |