Titolo | The Piccards |
Agenzia | Droga5 |
Campagna | Wild Rabbit |
Cliente | LVMH Moët Hennessy - Louis Vuitton S.A. |
Marca | Hennessy |
Data di Prima Diffusione/Publicazione | 2016 / 4 |
Settore | Whisky, Gin, Vodka |
Trama | Hennessy has launched The Piccards, the fourth iteration of the brand’s Wild Rabbit campaign. The new creative continues to bring to life the spirit of Hennessy’s ‘Never stop. Never settle.’ mantra, this time through the remarkable true story of the Piccards, a pioneering family of explorers whose relentless pursuits pushed the limits of potential and made history.In 1931, a Swiss physicist by the name of Auguste Piccard became the first man to reach the stratosphere. Nearly three decades later, in 1960, his son Jacques became the first to reach the deepest bottom of the ocean. This remarkable true story is the basis for Hennessy’s latest film. Told in fresh, cinematic style :90 film, The Piccards reimagines the individual achievements of the two men as one continuous journey up—a surreal, adrenaline-spiked odyssey to the stratosphere and the deepest ocean depths. But at the core of the adventure is an incredible story about the bond between a father and son, the power of ambition and the will to achieve. Told in additional iterations of :60, :30 and :15 films, Hennessy tapped musician Nas to tell the story of the Piccards’ intergenerational Wild Rabbit chase – Hennessy’s metaphor for the relentless pursuit of achievement.The film was directed by Daniel Wolfe of Somesuch.Co. Part of Daniel’s vision was a collaboration with photography specialist Chris Parks - who’s abstract imagery has been in benchmark pieces such as Tree of Life and Gravity. Beyond Daniel’s attention to story and performance, there was a dedication from an early stage in achieving a unique, cinematic look to the film. This was brought to life across all departments, from the incredible, research-based production design, to the capture of material on 35mm film. In the final stages of the process each frame was printed back to a film negative before final master. |
Tipo di Media | Televisione |
Lunghezza | |
Casa di Produzione | Anonymous Content |
Chairman | David Droga |
Chief Creative Officer | Ted Royer |
Creative Director | Alexander Nowak |
Creative Director | Felix Richter |
Copywriter | Phil Hadad |
Art Director | Marybeth Ledesma |
Head of Production | Ben Davies |
Executive Producer | David Cardinali |
Agency Producer | Sam Marx |
Chief Strategy Officer | Jonny Bauer |
Strategist | Elaine Purcell |
Strategist | Danielle Travers |
Strategist | Zack Cohn |
Strategist | Delphine McKinley |
Executive Group Director | Steven Panariello |
Account Director | Patrick Rowley |
Account Supervisor | Kendra Schaaf |
Account Manager | Andrew DeMatos |
Account Manager | Rebecca Warren |
Project Manager | Dean Farella |
Casa di Produzione | Somesuch |
Director | Daniel Wolfe |
Executive Producer | Eric Stern |
Executive Producer | SueEllen Claire |
Head of Production | Kerry Haynie |
Direttore della fotografia | Tom Townend |
Production Company Producer | Lee Groombridge |
Photographer | Chris Parks |
Editing Company | Cosmo Street |
Editing Company | Trim |
Editor | Tom Lindsay |
Editor | Julie Walsh |
Editor | Magda Plugowska |
Editor | Elise Butt |
Executive Producer | Maura Woodward |
Production Company Producer | Anne Lai |
Post Produzione | The Mill |
Head of Production | Sean Costello |
Production Company Producer | Nirad Russell |
Music Production | Woodwork Music |
Music Composer | Phil Kay |
Sound Design Company | Q Department |
Sound Designer | Drazen Bosnjak |
Sound Designer | Jean Baptiste |
Sound Designer | Jean-Baptiste Saint Pol |
Executive Producer | Zack Rice |
Production Company Producer | Guin Frehling |