Titolo | Play this at my funeral |
Agenzia | Wieden + Kennedy |
Campagna | Spotify- Play this at my funeral |
Cliente | Spotify |
Marca | Spotify |
Data di Prima Diffusione/Publicazione | 2017 / 2 |
Settore | Elettronica di comsumo e Audiovisivi |
Tipo di Media | Televisione |
Lunghezza | |
Casa di Produzione | O Positive |
Executive Creative Director | Karl Lieberman |
Creative Director | Erwin Federizo |
Creative Director | Brandon Henderson |
Art Director | NJ Placentra |
Copywriter | Alex Ledford |
Content Producer | Jessica Griffeth |
Associate Content Producer | Alexey Novikov |
Interactive producer | Sabrina Rahrovi |
Account Manager | Casey Jennings |
Account Manager | Molly Friedman |
Account Manager | Sydney Gayner |
Account Manager | Head of Digital Design |
Art Buyer | Ali Berk |
Art Buyer | Head of Digital Design |
Social Director | Jessica Breslin |
Social Director | Junior Social Strategist |
Group Media Director | Ryan Haskins |
Associate Media Director | Neil Sawhney |
Business Affairs | Sara Jagielski |
Business Affairs | Justine Lowe |
Business Affairs | Lindsey Timko |
Business Affairs | Patrick O |
Broadcast Traffic | Sonia Bisono |
Traffic Director | Andy Hume |
Creative Services Director | Chris Whalley |
Studio Manager | Jill Kearton |
Studio | Tara Kennedy |
Studio | Kristen Althoff |
Studio | Nathan Dalessandro |
Director | Jim Jenkins |
Production Company Producer | Ken Licata |
Direttore della fotografia | Claudio Miranda |
Editing Company | Final Cut |
Editor | Jeff Buchanan |
Assistant Editor | Brandon Iben |
Post Produzione | Penny Ensley |
Post Production | Sarah Roebuck |
Special Effects / VFX | The Mill |
Producer | Bugs Russell |
Production Company Producer | Adriana Wong |
Flame Artist | Jimmy Bullard |
Flame Artist | Jade Kim |
Mix Company | Heard City |
Mixer | Phil Loeb |
Executive Producer | Sasha Awn |
Production Company Producer | Andi Lewis |
Photographer | Michael Schmelling |
Production Company Producer | Pat Dougherty |
Digital Retoucher | 150 Proof |