| Titolo | The Joy of Ordinary Sounds |
| Agenzia | The Agency, Specsavers |
| Campagna | The Joy of Ordinary Sounds |
| Cliente | Specsavers |
| Marca | Specsavers |
| Data di Prima Diffusione/Publicazione | 2023 / 9 |
| Settore | Ottici |
| Tipo di Media | Televisione |
| Lunghezza | |
| Casa di Produzione | Rogue Films |
| Editing Company | The Assembly Rooms |
| Creative Team | Bertie Rapkin |
| Creative Team | Jon Morgan |
| Creative Director | Richard James |
| Head of Design | Sid Tomkins |
| Senior Creative Strategist | Polly Evelegh |
| Designer | George Russell |
| Designer | Tom Slinger |
| Designer | Robin Davidson |
| Producer | Phoebe Hazzan |
| Agency TV Producer | Mary Musasa |
| Lead Client Partner | Laura Battersby |
| Client Partner | Georgia Queripel |
| Client Partner | Terri Turner |
| Client Partner | Victoria Clarke |
| Marketing Communications Lead | Sonya Mooney |
| Senior Marketing Manager | Sarah Sawadye |
| Audiology Trading Director | James Thomas |
| Head of Marketing | Nick Rainbow |
| Marketing Strategist | Rob Fox |
| Director | Simon Ratigan |
| Producer | Tim Nunn |
| Sound | Sine Audio |
| Sound Designer | Phil Bolland |
| Post Produzione | Freefolk |
| Colorist | Marty McMullen |
| Producer | Charles Gillett |
| Flame Artist | Judy Roberts |
| Editor | Adam Spivey |
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