Titolo | Live a Story Worth Telling |
Agenzia | VML Melbourne |
Campagna | Live a Story Worth Telling |
Cliente | Royal Australian Navy |
Marca | Royal Australian Navy |
Data di Prima Diffusione/Publicazione | 2023 / 3 |
Settore | State Employment, Forces & Police Recruitment |
Tipo di Media | Cinema |
Lunghezza | |
Advertising Manager | Mark Hammond |
Advertising Manager | Duncan Hayward |
Advertising Manager | Chris Ellison |
Advertising Manager | Fleur James |
Advertising Manager | Phil Smith |
Advertising Manager | Sarah West |
Advertising Manager | Justin Stanic |
Advertising Manager | Zerlina Burns |
Advertising Manager | Anjali Bakaya |
Advertising Manager | Jess Goggin |
Advertising Manager | Gemma Tait |
Advertising Manager | Liam Walford |
Advertising Manager | Alexandra Morthorpe |
Chief Creative Officer | Paul Nagy |
Group Executive Creative Director | Jake Barrow |
Creative Director | Kieran Moroney |
Senior Copywriter | Jess Wheeler |
Creative | Shane Geffen |
Head of Design | Lewis Brown |
Designer | Lewis Barnes |
Designer | Simon Gray |
Agency Executive Producer | Rachel Rider |
Production & Post-Production | DIVISION |
Director | Jason Bock |
Executive Producer | Geneviève Triquet |
Producer | Alice Grant |
Direttore della fotografia | Jeremy Rouse |
Underwater DOP | Rick Rifici |
Aerial DOP | Peter Beeh |
Production Designer | Lucinda Thomson |
Costume | Joanna Mae Park |
Casting | Citizen Jane Casting |
Offline | The Editors Melbourne |
Editor | Bernard Garry |
Editor | Lily Davis |
Assistant Editor | Shannon Michaels |
Assistant Editor | Liam Riley |
Post-production Producer | Liv Reddy |
Post-production Producer | Charlotte Griffiths |
Online Studio | Fin Design + Effects |
VFX Supervisor | Mikey Brown |
VFX Supervisor | Stuart White |
Executive VFX Producer | Alastair Stephen |
VFX Producer | Isabelle Howarth |
Colorist | Fergus Rotherham |