Titolo | Welcome To The Club |
Agenzia | Wieden + Kennedy |
Campagna | Welcome To The Club |
Cliente | Ford Motor Company |
Marca | Ford Mustang |
Data di Prima Diffusione/Publicazione | 2023 / 10 |
Settore | Auto Nuove |
Tipo di Media | Branded Content |
Lunghezza | |
Colonna sonora | “Stoned on Ocean” from artist/writer Curren$y |
Editing Company | Final Cut |
Advertising Manager | Jess Muir |
President | Jiah Choi |
Chief Creative Officer | Marques Gartrell |
Executive Creative Director | Eric Helin |
Executive Creative Director | Stuart Jennings |
Creative Director | Dan Peters |
Creative Director | Reef Younis |
Art Director | Dylan Simel |
Copywriter | Nickolas Sugai |
Head of Production | Nick Setounski |
Agency Executive Producer | Jessica Griffeth |
Senior Agency Producer | Jake Freeman |
Designer | Zachary Winterton |
Studio Artist | Erica Remmele |
Group Strategy Director | Alix Toothman |
Group Social Strategy Director | Caroline Tseng |
Strategist | Darren Wong |
Casa di Produzione | RSA Films |
Director | Jared Malik Royal |
Co-Writer | Rivers Cahee |
President / Executive Producer | Luke Ricci |
Executive Producer | Matilde Ramos Pinto |
Line Producer | Jeremy Blum |
Production Coordinator | Natalie Orsi |
DP | Danyal Niazi |
Editor | Matt Carter |
Assistant Editor | Kaylin Smida |
Post-production Producer | Michael Dart Wadsworth |
Post-production Producer | Laura Mirabella |
Executive Post Producer | Sarah Roebuck |
Footage | Rare Medium Group Inc. |
Colorist | Mikey Rossiter |
Senior Color Producer | Heath Raymond |
Music | Jet Life Recordings |
Music | Black Cloud |
MUSIC Artist | EJ2 |
MUSIC Artist | Motif |
Sound Design Company | Machine Sound |
Sound Engineer | Alex Bingham |
Sound Engineer Assistant | Chantelle Donovan |
Sound Engineer Assistant | Nicole Watlington |
Executive Sound Producer | Matej Oreskovic |
Sound Producer | Andi Lewis |