| Titolo | They're Boots Darling |
| Agenzia | Ogilvy UK |
| Campagna | They're Boots Darling |
| Cliente | Boots |
| Marca | Boots Opticians |
| Data di Prima Diffusione/Publicazione | 2020 / 1 |
| Settore | Ottici |
| Tipo di Media | Televisione |
| Lunghezza | |
| Colonna sonora | I migliori anni della nostra vita '50 |
| Editing Company | The Assembly Rooms |
| Chief Creative Officer | Jules Chalkley |
| Executive Creative Director | Sam Cartmell |
| Creative Team | Dave Anderson |
| Creative Team | Ian Brassett |
| Executive Client Lead | Fiona Gordon |
| Account Director | Michele Lardner |
| Social Media Expert | Thomas Wigley |
| Strategist | Charlotte Walters |
| Agency Executive Producer | Sally Miller |
| Assistant Agency Producer | Ancika Mester |
| Marketing Director | Madeline Shaw |
| Marketing Manager | Gail Borley |
| Assistant Marketing Manager | Joseph Cunningham |
| Marketing Manager | Guy Smith |
| Casa di Produzione | Academy Films |
| Director | Vince Squibb |
| Assistant Director | Jez Oakley |
| Executive Producer | Mark W Williams |
| Line Producer | Alice Hopgod |
| Direttore della fotografia | Daniel Voldheim |
| Editor | Sam Rice-Edwards |
| Production Company Producer | Daniel Brehemy |
| Grading/Online | The Mill London |
| Colorist | Seamus OKane |
| Colour Producer | Charlie Morris |
| Post Production | Carlos Herrera GPS |
| Post Produzione | Annika Gustavsson |
| Sound Design Company | GPS |
| Sound Engineer | Toby Griffin |
| Music | One More Music Company |
| Artista | Fred Buscaglione |
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