Titolo | Built for NOW |
Agenzia | piro |
Campagna | Built for NOW |
Marca | Viant |
Data di Prima Diffusione/Publicazione | 2022 / 9 |
Settore | Computer software e Multimedia |
Filosofia | Creative studio Aggressive and ad agency Piro deliver CG sensation showcasing a new digital landscape for an upcoming marketing campaign by Viant. The film blends futuristic CG with live action to build a vision for the ‘New Open Web,’ the connected media landscape of the future that’s here today. Set in a sunny city, the future-facing film welcomes us to life in the new digital landscape. Illustrated with captivating CG graphics, viewers are taken on a journey to explore these new possibilities, featuring fantastically re-configuring palm trees, AR holographic elements, quirky avatars, glitching and color-changing floors, bubbly furniture, and even a hologram band. Through this diverse array of polished visuals, Viant illustrates its pioneering approach to media, combining AI with human insight for the next generation. Aggressive was approached by Piro to craft the film for media giant Viant to usher in the concept of the ‘New Open Web’ - a diverse, dynamic, and connected media landscape where advertisers, agencies, and brands are linked across all platforms, from phone and music apps to gaming, television, OOH and more. Stepping up to the challenge, the creative studio seized the opportunity to utilize a vast assortment of their key strengths, mixing dynamic and concept-driven live-action with stylized, tech-inspired visual effects and UI design to craft an ultramodern AR world. Determined to bring their full capabilities to the screen and comfortably shoot wherever will make the film shine the most, Aggressive brought Piro and the client to Warsaw, where the team had shot over a dozen times prior. Not only did it offer the perfect backdrop, but the location also allowed the crew to push the budget further and execute a creative that simply would not have been possible without serious compromises in the US. To bring the ‘New Open Web’ life, Aggressive filmed live on-location, shooting over two days at a picturesque waterfront as well as other select locations in the city, following the protagonist as she explores this near-future world that blends reality with digital creativity and expression. The team then took this live action footage and swirled it up with all manner of vibrant design-driven CG and graphic visuals, seamlessly fusing the two in a manner that elevates the spot to the next level. Tackling the project holistically from shooting through to finishing, Aggressive meticulously planned each shot to facilitate an efficient post process when navigating the sheer quantity of CG elements. Calculating everything from camera moves to lighting, textures, and references for ease later down the line, Aggressive distributed CG elements and animations across the scenes for manageability, scheduling and optimizing which technique was used where to keep the pipeline moving. The Blade-runner-esque hologram band performance posed a particular challenge, scanned live using an array of Azure Kinect depth-mapping cameras. Aggressive then turned their action into an animated point-cloud sequence which could be stylized and embellished in Houdini. Due to scheduling and an overall condensed timeline, the team had to film their scene a week and a half prior to the main shoot; however, since it was all captured in 3D space, they were able to adjust their cameras to match what was filmed later. The final scene also required some technical acrobatics, filmed live on location to capture the realism of the environment, but with the entire architectural space recreated in CG. |
Tipo di Media | Interattivo |
Lunghezza | |
Market | Polonia |
Casa di Produzione | piro |
Casa di Produzione | Aggressive |
Founder | Daniel Rosenberg |
Founder | Tim Piper |
Chief Client Officer | Corinne Lowry |
Head of Strategy | Tarantino Jason |
Creative Director | Mike Kirkland |
Creative Director | Andrew Chisholm |
Copywriter | Lizz Bogaard |
Account Director | Carlos Cruz |
Executive Producer | Lee Scharfstein |
Producer | Lauren Cooper |
Advertising Manager | Tim Vanderhook |
Advertising Manager | Chris Vanderhook |
Chief Marketing Officer (CMO) | Jon Schulz |
SVP, Marketing | Rasika Narang |
Advertising Manager | Jamey Wishner |
Advertising Manager | Rami Djemal |
Graphic Designer | Katey Haus |
Client Copywriter | Daniel Engelke |
Digital Producer | Kayla Johnson |
Director | Dan Shapiro |
Director | Alex Topaller |
Executive Producer | Alexander Aab |
Direttore della fotografia | kajetan Plis |
Stylist | Hanna Bartos |
Hair and Makeup | Anna Słowińska |
Production Designer | Zuzia Słomińska |
Prop Master | Paweł Wyszyński |
Drone | Łukasz Lewenda |
Line Production | OTOFilm |
Producer | Łukasz Tomasz Kołtunowicz |
Production Manager | Lucyna Stróżak |
Production Coordinator | Niki Czober |
Offline Editor | Magdalena Mikolajczyk |
VFX Supervisor | Tomasz Runowicz |
Post-production Producer | Dustin Pownall |
Post-production Producer | Daria Neustroeva |
Creative Producer | Artem Shcherbakov |
Art Director | Artem Kazakhunov |
Art Director | Vlad Bratkevich |
CG Supervisor | Alexander Makedonsky |
CG Supervisor | Artem Shcherbakov |
Storyboard Artist | Mercer Boffey |
Production Assistant | Isabella Crawford |
Colorist | Dominik Deras |
Music Composer | Kambiz Aghdam |