| Titolo | Best Friends |
| Agenzia | DDB Chicago |
| Campagna | Road to the Final Four |
| Cliente | Capital One |
| Marca | Capital One |
| Data di Prima Diffusione/Publicazione | 2016 / 3 |
| Settore | Plastic Cards/Investimenti |
| Filosofia | In 'Best Friends,' one of four 30 second spots, Samuel L. Jackson and Spike Lee anxiously wait in front of Charles Barkley’s home, eager to embark on their second Road to the Final Four trip. But when Barkley emerges, wearing a carbon copy of Spike’s outfit, the trio knows they’re in for another ridiculous journey. |
| Tipo di Media | Televisione |
| Lunghezza | |
| Casa di Produzione | Pony Show Entertainment |
| Chief Creative Officer | John Maxham |
| Copywriter | Sean Collander |
| Art Director | Brittany Druker |
| Account Director | Chris Pultorak |
| Art Director | Mike Ackerman |
| Copywriter | Travis Parr |
| Executive Producer | Will St. Clair |
| Strategy Director | Josh Drueck |
| Director of Integrated Production | Diane Jackson |
| Art Director | Brant Herzer |
| Art Director | Michael Rosenthal |
| Copywriter | Tyler Campbell |
| Copywriter | Carlos Rangel |
| Account Supervisor | Betsy Leonard |
| Production Manager | Polly Poulos |
| Associate Producer | Jakub Zajaczkowski |
| Sound Engineer | Nick Papaleo |
| Producer | Dawn Guzowski |
| Executive Producer | Kristin Branstetter |
| Editor | Meg Kubicka |
| Editor | Brian Gannon |
| Editing Company | Whitehouse Post |
| Visual Effects Supervisor | Rob Churchill |
| Executive Producer | Derek Goldsmith |
| Colorist | Fred Keller |
| Director | Spike Lee |
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