Michael Smith
President & CEO at Linx Communications
Smithtown, Stati Uniti
TitoloPerception
Agenzia
Campagna Mercedes-Benz 2017
Cliente Mercedes-Benz Vans
Marca Mercedes-Benz Vans
Data di Prima Diffusione/Publicazione 2016 / 8
Settore Auto Nuove
Slogan The Best or Nothing
Filosofia Native director Iain Mackenzie recently staged intricate on-set choreography for new Mercedes spot “Parting,” which features 17 different vehicles moving in sync. In the spot, the camera moves straight ahead through 8 rows of cars, each comprised of two Mercedes vehicles facing each other. As the camera approaches each row, the pairs split, achieving an overall “parting the seas” look that builds to reveal the new Mercedes CLA.
For a greater sense of realism, Mackenzie opted to capture the entire spot in-camera, requiring precise planning and choreography. Using animatics, the Native team experimented with various spacing and timing scenarios to map out the best approach. Once on set in the Mojave Desert, Mackenzie ran through multiple rehearsals to refine the choreography and get the drivers familiar with their cues – and their cars. Each car had its own professional driver cued via radio; additionally, each Mercedes vehicle used in the spot is from a different time period, with varying levels of speed and responsiveness that had to be taken into account. Blocking also had to be adjusted on set, working with the natural horizon line to help hide the CLA until the last possible moment. With the choreography and positioning finalized, Mackenzie pulled double duty as DP, capturing on-the-ground shots via camera car plus a handful of aerial shots via helicopter.
“Iain is a very methodical director and he really did his homework on this to make everything come together perfectly,” explained Native founder Tomer DeVito. “It was a huge feat to pull this off in-camera, and the success is a testament to the creativity and diligence of Iain and the whole crew.”
A second spot, “Perception,” was also directed by Mackenzie and shows a Mercedes drifting into frame on a garage rooftop. The two spots were shot on back-to-back days, amid desert temperatures hitting up to 108° F. 
Tipo di Media Televisione e Cinema
Lunghezza
Casa di Produzione
Executive Creative Director
Producer
Director
Managing Director/Executive Producer
Head of Production
Producer
Production Supervisor
Direttore della fotografia
Production Designer
Editorial Company
Producer
VFX Supervisor

People related to this work

Spot Collegati

Trending

Create a free Talent profile and become a member of AdForum

Get Started