| Titolo | It’s Not Therapy, It’s Abuse |
| Agenzia | T&Pm |
| Campagna | It’s Not Therapy, It’s Abuse |
| Cliente | A coalition of 21 charities |
| Marca | A coalition of 21 charities |
| Data di Prima Diffusione/Publicazione | 2022 |
| Settore | Fondazioni caritatevoli, Volontariato |
| Tipo di Media | Branded Content |
| Lunghezza | |
| Sound | Factory Studios |
| Sound | SIREN |
| Post Produzione | Glassworks |
| Editing Company | Tenthree |
| Casa di Produzione | Academy Films |
| Art Director | Katherine Blackwell |
| Chief Creative Officer | Micky Tudor |
| Director | Zhang + Knight |
| Direttore della fotografia | David Faulkes |
| Editor | Ellie Johnson |
| Executive Creative Director | Toby Allen |
| Music Supervision | Joshua Gibbard |
| Music Supervision | Sian Rogers |
| Producer | Lexi Kiddo |
| Producer | Andrew Patrick |
| Casting Director | Sue Odell |
| Chief Executive Officer (CEO) | Sarah Golding |
| Creative Team | Dan Dehlavi |
| Creative Team | Mikael Alcock |
| Senior Account Director | Alex Fitzsimmons |
| 1st AC | Harry Coleman |
| 1st Assistant | Tristan Hefele |
| 2nd AC | Felix Wildey |
| Account Director | Misbah Husain |
| Assistant Sound Designer | Harry Boyce |
| Audio Producer | Ciara Wakley |
| Colorist | Jonny Thorpe |
| Deputy Head of Strategy | David Adamson |
| Assistant Director | Nathan Laryea |
| DIT | Elliot Chyi |
| Editorial Producer | Ed Hoadley |
| Editorial Producer | Eppie Bowler |
| Assistant Editor | Matt Marshall |
| Assistant Editor | Elyse Raphael |
| Executive Producer | Darapen Vongsa-Nga |
| Hair and Makeup | Martin McLean |
| Head of Integrated Production | Charles Crisp |
| Head of Production | Gemma Priggen |
| Intimacy Coordinator | Tigger Blaize |
| Managing Director/ Executive Producer | MEDB RIORDAN |
| Online Artist | Ally Burnett |
| Online Artist | Anthony Laranjo |
| Online Artist | PETER NEMEC |
| PR Account Director | Lekha Ly |
| Production Designer | Francesca Massariol |
| Production Manager | Sorcha O'Sullivan |
| Senior Producer | Sam Ramsey |