Aaron Fuks

Film Editor / Digital Colorist at Freelance

Belgio

My Latest Work

SEE ALL WORK

La Magie du Reconditionné

Là là là

Piment

Origan

Riassunto

Aaron studied cinematography [directing and editing] at I.N.R.A.C.I. [Brussels] and spent 4 years in an international production company Milly Films starting as editing assistant and finishing as post-producer. He gained great experience whilst he encountered and found inspiration with the work of some of the most well know directors such as Tony Kaye, John Mathieson, Zhang Yimou, and many others and work on commercials for prestigious brand such as Guerlain, Lancôme, Valentino, Kate Moss Fragrance, Mastercard, Kronenbourg.
After living in New York during 2 years and working on various projects as videographer, photographer and editor. He came back to work between Paris & Brussels exclusively as offline editor collaborating with Belgian and French directors based in Brussels, Paris and New York working for international brand such as Nescafé, Toyota, LOFT, Nina Ricci, Pandora...
Trying new challenges he decides to travel in Asia looking for new experiences in editing world.

Skills

Languages

Francese - Native
Inglese - Basic

Sector Experience

People I worked with

My Work

SEE ALL WORK

40 ans de passion [Full HD,1920x1080]

MARCA:

Renault F1

AGENZIA:

Publicis Conseil

Crispy Film

MARCA:

Ritz Crackers

AGENZIA:

FCB Seoul

Eve of Solidarity

MARCA:

Fondation de France

AGENZIA:

Agence LIMITE

Poivre

MARCA:

Ducros

AGENZIA:

FamousGrey

Positions

Editor & Colorist

Freelance

Stati Uniti

March 2016 - 2016 (1 mese)

Descrizione

Upstate New-York, une route sinueuse et des couleurs d’automne ; une Porsche 911T de 1969 qui avale les virages aux mains d’un mystérieux conducteur : c’est On Any Given Day la nouvelle vidéo réalisée par Lionel Koretzky.

« J’ai fait ce film comme un hommage au film Le Mans, avec Steve McQueen, explique Lionel Koretzky. C’était mon inspiration, mon point de départ, d’où le format scope et anamorphique. Je voulais m’éloigner de l’empreinte Go-Pro et drones tout en restant moderne. »

Quand la main gantée sélectionne une autre station de radio sur le poste de la Porsche, le bolide rouge se meut en une brutale Oldsmobile Cutlass ’68 noire. L’ambiance se tend, ce n’est plus Le Mans mais Bullitt. Le conducteur, lui, poursuit sa route, à toute allure.