| Titolo | Train |
| Agenzia | SS+K |
| Campagna | Where Things Get Interesting |
| Cliente | Condé Nast Publications |
| Marca | The New Yorker |
| Data di Prima Diffusione/Publicazione | 2015 / 11 |
| Settore | Giornali, Libri, Periodici |
| Trama | In the film, we see the world through the eyes of a New Yorker reader—every face and scene hints at a deeper story. |
| Tipo di Media | Televisione |
| Lunghezza | |
| Editing Company | Bikini Editorial |
| Chief Creative Officer | Bobby Hershfield |
| Copywriter | Lindsey Lanpher |
| Art Director | Alyssa Georg |
| Production Company Producer | Brendan O'Malley |
| Production Company Producer | Jamie Appelbaum |
| Director | Will Flood |
| Account Executive | Nick Petrillo |
| Casa di Produzione | Reset |
| Director | J.C. Chandor |
| Executive Producer | Jeff McDougall |
| Executive Producer | Jen Beitler |
| Production Company Producer | Grace Campos |
| Production Company Producer | Greg Schultz |
| Editor | Avi Oron |
| Editor | Gustavo Roman |
| Executive Producer | Gina Pagano |
| Production Company Producer | Ruganzu Howard |
| Special Effects / VFX | Eric Gelgand |
| Sound Design Company | Avi Oron |
| Music | Yoni Oron |
| Sound | Heard City |
| Production Company Producer | Gloria Pitagorsky |
| Production Company Producer | Talia Rodgers |
| Production Company Producer | Sasha Awn |