Titolo | Train |
Agenzia | SS+K |
Campagna | Where Things Get Interesting |
Cliente | Condé Nast Publications |
Marca | The New Yorker |
Data di Prima Diffusione/Publicazione | 2015 / 11 |
Settore | Giornali, Libri, Periodici |
Trama | In the film, we see the world through the eyes of a New Yorker reader—every face and scene hints at a deeper story. |
Tipo di Media | Televisione |
Lunghezza | |
Editing Company | Bikini Editorial |
Chief Creative Officer | Bobby Hershfield |
Copywriter | Lindsey Lanpher |
Art Director | Alyssa Georg |
Production Company Producer | Brendan O'Malley |
Production Company Producer | Jamie Appelbaum |
Director | Will Flood |
Account Executive | Nick Petrillo |
Casa di Produzione | Reset |
Director | J.C. Chandor |
Executive Producer | Jeff McDougall |
Executive Producer | Jen Beitler |
Production Company Producer | Grace Campos |
Production Company Producer | Greg Schultz |
Editor | Avi Oron |
Editor | Gustavo Roman |
Executive Producer | Gina Pagano |
Production Company Producer | Ruganzu Howard |
Special Effects / VFX | Eric Gelgand |
Sound Design Company | Avi Oron |
Music | Yoni Oron |
Sound | Heard City |
Production Company Producer | Gloria Pitagorsky |
Production Company Producer | Talia Rodgers |
Production Company Producer | Sasha Awn |