Accessible luxury brands were also the most innovative
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
Most awarded
campaigns, brands &
agencies in
Luxury in
2018
Most awarded
campaigns, brands and
agencies in
Luxury in
2018
CAMPAIGNS
BRANDS
Brand |
---|
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Publicis Italy, Milan | |
3 | BBH, London | |
4 | thjnk Hamburg | |
5 | Dentsu Inc., Tokyo |
Watch
1. Lacoste / Save Our Species
Titolo | Save Our Species |
Titolo (Lingua Originale) | Save Our Species (anglais) |
Agenzia | BETC Paris |
Campagna | Save Our Species |
Cliente | Lacoste |
Marca | Lacoste |
Data di Prima Diffusione/Publicazione | 2018 / 2 |
Settore | Abbigliamento |
Tipo di Media | Web Film |
Lunghezza | |
Advertising Manager | Sandrine Conseiller |
Advertising Manager | Felipe Oliveira Baptista |
Advertising Manager | Mylène Atlan |
Advertising Manager | Stéphanie Tournier |
Account Manager | Bertille Toledano |
Account Manager | Fanny Buisseret |
Account Manager | Benjamin Veaute |
Executive Creative Director | Rémi Babinet |
Creative Director | Antoine Choque |
Copywriter | Céline Mazza |
Copywriter | Olivier Aumard |
Art Director | Jonathan Baudet-Botella |
Art Director Assistant | Benoît Ferran |
Strategic Planner | Céline Mazza |
Agency Producer | Karine Manzic |
Casa di Produzione | AllSo |
Production Company Producer | Franck Annese |
Music | DEMON |
2. Diesel / Go With The Flaw
Titolo | Go With The Flaw |
Agenzia | Publicis Italy |
Campagna | Go With The Flaw |
Cliente | Diesel |
Marca | Diesel |
Data di Prima Diffusione/Publicazione | 2017 / 9 |
Settore | Abbigliamento, Moda, Calzature |
Tipo di Media | Web Film |
Lunghezza | |
Sound Design Company | Grand Central Recording Studios |
Grade | MPC LDN |
Executive Creative Director | Cristiana Boccassini |
Art Director | Simone Di Laus |
Art Director | Cecilia Moro |
Copywriter | Fabio Caputi |
Wardrobe / Stylist | Davey Sutton |
Creative Supervisor | Costanza Rossi |
Digital Creative Director | Milos Obradovic |
Digital Creative Director | Mihnea Gheorghiu |
Global Chief Creative Officer | Bruno Bertelli |
Associate Copywriter | Beatrice Mari |
Chief Executive Officer (CEO) | Bruno Bertelli |
Head Of Planning | Bela Zieman |
Account Planner | Noa Dekel |
Casa di Produzione | Division Paris |
Director | François Rousselet |
Direttore della fotografia | Simon Chaudoir |
Account Manager | Giada Salerno |
Account Manager | Maria Elena Gaglianese |
Agency Producer | Cecilia Barberis |
Agency Producer | Matilde Bonanni |
Art Buyer | Barbara Centazzo |
Editor | Nicolas Larrouquere |
Producer | Jules de Chateleux |
Post Production | Studio Invisible |
Colorist | Richard Fearon |
3. Lacoste / Timeless
Titolo | Timeless |
Agenzia | BETC Paris |
Campagna | Life is a beautiful sport since 1933 |
Cliente | Lacoste |
Marca | Lacoste |
Data di Prima Diffusione/Publicazione | 2017 / 5 |
Settore | Abbigliamento sportivo |
Trama | We’re in the 1930s, and on a railway station a young man bumps into a woman he’d like to see again. After a moment’s hesitation he leaps aboard the train: and so begins a thrilling pursuit through the carriages – and through the decades. As he moves through time, the man’s Lacoste outfit changes to reflect the era. He runs, jumps and scrambles after the young woman, who soon realises what’s happening. Finally they come together in a kiss. Love, like Lacoste, is timeless. A young man bumps into a woman on a railway station platform as she boards a stream train. Realising he's smitten, he jumps on the train and begins searching for her. As he moves through the carriages he also travels through time, and we see the decades unspool - 50s, 60s, 70s - until the couple finally meet in the present day. Of course, he's been wearing Lacoste all along, because it's timeless. |
Tipo di Media | Televisione e Cinema |
Lunghezza | |
Colonna sonora | November |
Editing Company | Whitehouse Post |
Media Director | Julien Leveque |
Music Creative Director | Christophe Caurret |
Advertising Manager | Sandrine Conseiller |
Advertising Manager | Amandine Morel |
Advertising Manager | Mylène Atlan |
Advertising Manager | Sophie Dussillol |
Account Manager | Bertille Toledano |
Account Manager | Marina Zuber |
Account Manager | Fanny Buisseret |
Account Manager | Jeanne Chalumeau |
Executive Creative Director | Rémi Babinet |
Creative Director | Antoine Choque |
Art Director | Aurélie Scalabre |
Copywriter | Olivier Aumard |
Traffic Director | Kémi Zinsou |
Strategic Planner | Fabien le-Roux |
Agency Producer | Fabrice Brovelli |
Casa di Produzione | Wanda Paris |
Casa di Produzione | Academy Films |
Sound Production | GUM – Green United Music |
Director | Seb Edwards |
Music | Max Richter November |
Media Agency | Havas Media |
Post Production | Mikros Image |
4. Diesel / Keep The World Flawed
Titolo | Keep The World Flawed |
Brief | A young man with big ears undergoes surgery to become model handsome. One day at the launderette, he meets his perfect Diesel-clad girl. Soon she's pregnant. But when she gives birth, the young man frowns. A flashback reveals the same girl - with a big nose. She too has had her flaw fixed. When we finally see the child, we recognise dad's big ears. Oh well, perfection is boring. Go with the flaw. |
Agenzia | Publicis Italy |
Campagna | Keep The World Flawed |
Cliente | Diesel |
Marca | Diesel |
Data di Prima Diffusione/Publicazione | 2018 / 1 |
Settore | Abbigliamento |
Trama | This is the story of a boy and a girl who meet and fall in love right after they both choose to remedy their very obvious, society-defined, flaws. In a short-movie directed, once again, by Francois Rousselet to the timeless soundtrack “What’s a Matter Baby” from Small Faces, we discover that, eventually, our so-called flaws will always be stronger than any of our attempts to hide them. So why not embrace, celebrate them and keep the world as it’s meant to be: beautifully flawed? |
Tipo di Media | Televisione |
Lunghezza | |
Colonna sonora | What’s a Matter, baby? |
Music | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
Executive Creative Director | Cristiana Boccassini |
Digital Creative Director | Milos Obradovic |
Digital Creative Director | Mihnea Gheorghiu |
Associate Creative Director | Eddy Guimaraes |
Associate Creative Director | Vinicius Dalvi |
Creative Supervisor | Simone Di Laus |
Art Director | Alice Teruzzi |
Copywriter | Francesca Ferracini |
Head Of Planning | Bela Ziemann |
Account Planner | Noa Dekel |
Account Planner | Monica Radulescu |
Account Manager | Barbara Pusca |
Account Manager | Filippo D’Andrea |
Account Manager | Camilla Poli |
Account Manager | Maria Elena Gaglianese |
Agency Producer | Silvia Cattaneo |
Art Buyer | Caterina Collesano |
Casa di Produzione | Division Paris |
Director | François Rousselet |
Direttore della fotografia | Simon Chaudoir |
Editor | Adriana Legay |
5. Panasonic SL−1200 / The Philharmonic Turntable Orchestra
Titolo | The Philharmonic Turntable Orchestra |
Agenzia | Dentsu Inc. |
Campagna | The Philharmonic Turntable Orchestra |
Cliente | Panasonic |
Marca | Panasonic SL−1200 |
Data di Prima Diffusione/Publicazione | 2018 / 4 |
Settore | TV, Hi-Fi, Video, Personal Stereo & Accessori |
Trama | Commemorating the first LP record in history, this orchestra used only the analogue SL-1200 record player as an “instrument.” The orchestra united 30 highly skilled DJs from around the world, including scratch legend Q-bert and DJ Rena, the world's youngest scratch champion at age 13. Together they remixed several classical tunes, starting with the first song ever sold as an LP: Mendelssohn’s Concerto in E Minor. The result was a completely different kind of music. |
Tipo di Media | Web Film |
Lunghezza | |
Executive Creative Director | Yu Kaneno |
Creative Director | Goro Ohsawa |
Creative Director | Kentaro Suda |
Copywriter | Ryuta Kimura |
Account Planner | Ryuta Kimura |
Copywriter | Takumi Ichikawa |
Art Director | Satoshi Kohno |
Account Manager | Takeshi Saito |
Music Producer | Keisuke "Tommy" Tominaga |
6. Volvo XC60 / Moments (180s)
Titolo | Moments (180s) |
Agenzia | Forsman & Bodenfors Göteborg |
Campagna | Sometimes The Moments That Never Happen, Matter The Most. |
Cliente | Volvo |
Marca | Volvo XC60 |
Data di Prima Diffusione/Publicazione | 2017 / 6 |
Settore | Auto Nuove |
Trama | A little girl is on her way to the first day at her new school. In flashback, we see her talking to her mother about her dreams and hopes for the future. Throughout the story we also follow a woman driving a Volvo XC60 on her way to work. Everything is leading up to a critical moment. An accident is about to happen, but Volvo’s City Safety system kicks in and brakes the car automatically. Of all the moments in the little girl's life, this might be the most important one. Sometimes the moments that never happen, matter the most. |
Filosofia | In the launch campaign for the New Volvo XC60 – one of the safest cars ever made – we celebrate everything that can happen in life, when accidents don’t. We get to follow a young girl on her way to the first day of a new school, while simultaneously hearing her talk to her mom about her dreams and hopes for the future. Throughout the story we also follow a woman driving an XC60 on her way to work. Everything is leading up to a critical moment towards the end of the film. An accident is about to happen, but Volvo’s City Safety system recognizes the little girl and brakes the car automatically. And out of all the moments the young girl talks about in the film, this might just be the most important one. Because sometimes the moments that never happen, matter the most. |
Tipo di Media | Televisione e Cinema |
Lunghezza |
7. Rimowa Electronic Tag / Rimowa Electronic Tag
Titolo | Rimowa Electronic Tag |
Agenzia | Philipp und Keuntje GmbH |
Campagna | Rimowa Electronic Tag |
Cliente | Rimowa |
Marca | Rimowa Electronic Tag |
Posted | Mag 2018 |
Settore | Luggage & Traveling bags |
Tipo di Media | Mobile Advertising |
Lunghezza |
8. Shiseido / The Party Bus
Titolo | The Party Bus |
Agenzia | Shiseido Creative Division |
Campagna | The Party Bus |
Cliente | Shiseido |
Marca | Shiseido |
Data di Prima Diffusione/Publicazione | 2018 / 10 |
Settore | Trucco |
Slogan | Make Up your own story |
Trama | A costume party is in full flow on a bus rolling through the night. A girl disguised as Princess Kaguya is torn between her jealous boyfriend and a mysterious suitor. Finally she makes a decision, and jumps off the bus to join her new lover. Containing elements of drama, animation and dance, the extraordinary fairy tale is an ode to the power of make-up. |
Tipo di Media | Web Film |
Lunghezza | |
Market | Giappone |
Director | Show Yanagisawa |
Creative Director | Masoto Kosakawa |
Casa di Produzione | Towerfilm |
Post Production | Digital Eggs |
Post Production | My Working |
9. Forbes / Ricky Brasil
Titolo | Ricky Brasil |
Agenzia | . |
Campagna | Ricky Brasil |
Cliente | Forbes Brazil Magazine |
Marca | Forbes |
Data di Prima Diffusione/Publicazione | 2018 / 4 |
Settore | Media/Editoria |
Trama | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
Filosofia | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
Tipo di Media | Interattivo |
Lunghezza | |
Chief Creative Officer | Claudio Lima |
Executive Creative Director | felix del valle |
Creative Director | Eduardo Doss |
Creative Director | Guiga Giacomo |
Art Director | Paulo Engler |
Copywriter | Mariana Albuquerque |
Account Planner | Daniel de Tomazo |
Project Manager | Priscilla Saikai |
Production Company Producer | Patricia Silveira |
Media Director | Paulo Ferreira |
Editor | Deydson Rocha |
Advertising Manager | Antonio Camarotti |
Casa di Produzione | Trator |
Director | Vinicius Colé |
Fotografia / Illustrazione | Vinicius Colé |
Production Company Producer | Eduardo Saraiva |
Sound Production | Evil Twin |
3D Graphics | Alan Prado |
Music Composer | Igor Sacilotto |
10. BMW / Transformation of a Landmark
Titolo | Transformation of a Landmark |
Agenzia | Jung von Matt / Spree |
Campagna | 100.000 electric cars sold in 2017 |
Cliente | BMW |
Marca | BMW |
Posted | Mag 2018 |
Settore | Auto Nuove |
Trama | Monday evening, December 18th, BMW’s iconic Four Cylinder Building underwent a spectacular transformation to mark the 100,000th electrified BMW sold in 2017 and the brand’s unwavering commitment to an electric future. Designed by Austrian architect Karl Schwanzer, the BMW Headquarters was finished in 1972, in time for the Munich Summer Olympics. The 331 feet tall building is one of the most important German landmarks, mimicking the shape of the four cylinders in a typical car engine. Notably, the cylinders do not stand on the ground; they are suspended on a central support tower. The light projection turning the old cylinders into iconic electric batteries underscores a new landmark for the Munich-based German automotive manufacturer BMW, which launched the all-electric i3 in 2013. The epic projection involved 9 OPSL laser projectors, 10 additional projectors, 100 LED lights and 480 intelligent moving lights. 84 kilometers of cables were used for data and lighting and 820 cubic meters of materials. Next in the pipeline, BMW plans to offer 25 electrified models by 2025, 12 of which will be fully electric. Some of the cars will have a range of up to 435 miles. |
Tipo di Media | Case Study |
Lunghezza | |
Music | 2WEI Music |
Executive Creative Director | Till Eckel |
Executive Creative Director | Joachim Kortlepel |
Director | Tobias Paul |
Photographer | Ralph Larmann |
Director | Simon and Paul |
Creative Director | Christian Wölky |
Creative Director | Mihai Gongu |
Creative Director | Stefan Amtmann |
Copywriter | Simon Knittel |
Copywriter | Lena Charbonnier |
Art Director | Elena Knittelfelder |
Art Director | Sebastian Hölzer |
Art Director | Dustin Przibilla |
Art Director | Christian Dallmeier |
Consultant | Jan Anderßen |
Consultant | Niels Böse |
Consultant | Stephan Süß |
Consultant | Julian Pankratz |
11. Volvo XC60 / Live Reviews
Titolo | Live Reviews |
Agenzia | Grey Brasil |
Campagna | Volvo live reviews |
Cliente | Volvo |
Marca | Volvo XC60 |
Data di Prima Diffusione/Publicazione | 2017 / 10 |
Settore | Auto Nuove |
Tipo di Media | Interattivo |
Lunghezza |
Titolo | Care by Volvo mobile app |
Agenzia | Grey New York |
Campagna | Care by Volvo mobile app |
Cliente | Volvo |
Marca | Volvo |
Posted | Giugno 2018 |
Settore | Automobili/Motoveicoli |
Tipo di Media | Interattivo |
Lunghezza |
13. Mercedes-Benz / Return to Chapman's Peak
Titolo | Return to Chapman's Peak |
Agenzia | Net#work BBDO |
Campagna | Return to Chapman's Peak |
Cliente | Daimler AG |
Marca | Mercedes-Benz |
Data di Prima Diffusione/Publicazione | 2018 / 5 |
Settore | Auto Nuove |
Trama | Legendary South African crash survivor revisits site of 30 story plunge in autonomous S-Class. |
Tipo di Media | Web Film |
Lunghezza | |
Art Director | Steven Tyler |
Agency Producer | Lee-Ann Jacobs |
Image Design | Ryan Paikin |
Advertising Manager | Selvin Govender |
Chief Creative Officer | Mike Schalit |
Cinematografia | Lorens Van Rensburg |
Creative Director | Tim Beckerling |
Director | Lourens Van Rensburg |
Editor | James O'Sullivan |
Executive Creative Director | Brad Reilly |
Casa di Produzione | 7Flims |
Music | Audio Militia |
Post Produzione | Ludus |
Production Company Producer | Nina van Rensburg |
14. Mercedes-Benz / The Amber Cube
Titolo | The Amber Cube |
Agenzia | antoni GmbH |
Campagna | The Amber Cube |
Cliente | Daimler AG |
Marca | Mercedes-Benz |
Posted | Giugno 2018 |
Prodotto | G-Class |
Settore | Auto Nuove |
Tipo di Media | Televisione e Cinema |
Lunghezza |
Titolo | Lazy |
Agenzia | Publicis Italy |
Campagna | Go With The Flaw |
Cliente | Diesel |
Marca | Diesel |
Data di Prima Diffusione/Publicazione | 2018 / 7 |
Settore | Abbigliamento, Moda, Calzature |
Tipo di Media | Stampa e stampati |
Grade | MPC LDN |
Sound Design Company | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
Direttore della fotografia | Simon Chaudoir |
Producer | Jules de Chateleux |
Creative Supervisor | Costanza Rossi |
Digital Creative Director | Mihnea Gheorghiu |
Editor | Nicolas Larrouquere |
Agency Producer | Cecilia Barberis |
Account Manager | Giada Salerno |
Copywriter | Fabio Caputi |
Account Manager | Maria Elena Gaglianese |
Director | François Rousselet |
Colorist | Richard Fearon |
Digital Creative Director | Milos Obradovic |
Wardrobe / Stylist | Davey Sutton |
Art Director | Simone Di Laus |
Executive Creative Director | Cristiana Boccassini |
Associate Copywriter | Beatrice Mari |
Account Planner | Noa Dekel |
Agency Producer | Matilde Bonanni |
Head Of Planning | Bela Zieman |
Art Director | Cecilia Moro |
Art Buyer | Barbara Centazzo |
Casa di Produzione | Division Paris |
Post Production | Studio Invisible |